Monday, April 26, 2010

ANIMISM




n.
  1. The belief in the existence of individual spirits that inhabit natural objects and phenomena.
  2. The belief in the existence of spiritual beings that are separable or separate from bodies.
  3. The hypothesis holding that an immaterial force animates the universe.
[From Latin anima, soul.]
animist an'i·mist n.
animistic an'i·mis'tic adj.

POWER ANIMALS

http://www.shamanlinks.net/Power_Animals.htm



Power Animals

In the shamanic belief every thing is alive and carries with it power and wisdom.  Power animals are an essential component of shamanic practice.  They are the helping spirit which add to the power of the shaman and are essential for success in any venture undertaken by the shaman.
Shamans believe that everyone has power animals - animal spirits which reside with each individual adding to their power and protecting them from illness, acting similarly to a guardian angel.  Each power animal that you have increases your power so that illnesses or negative energy cannot enter your body.  The spirit also lends you the wisdom of its kind.  A hawk spirit will give you hawk wisdom, and lend you some of the attributes of hawk.
Everyone is thought to have a few of these guardian power animals or it is thought that the individual could not survive childhood.  Over the course of her or his life the person may have several.  If a power animal leaves and one does not come to take its place the individual is considered, by the shaman, to be disempowered and therefore vulnerable to illness and bad luck.
Power animals do not have to be mammals and can be reptiles, insects or sea creatures.  Any living creature can serve as a power animal.  (Plants and trees can serve as plant spirit guides.) Domesticated animals are generally not considered power animals because they already in service to human beings.  It is possible to have a domesticated animal, but it is more likely to have a wild untamed animal serve in the capacity of a power animal.
The gifts that a particular animal is thought to give an individual varies depending on the culture.  Although there are certain consistencies for certain animals.  A particular power animal can come to help you with an issue that is very specific for you.  It is important not to lock each animal into a category, and be open to the gifts it may be coming to share with you.  If you are looking for a book on power animals Animal Speak by Ted Andrews is very popular.  A popular website:  http://www.animalspirits.com
 It is important to honor your power animal.  In many western cultures we are not taught to value animals or the gifts that they add to our life and the world around us.  In shamanic work the power animal is essential, for a shaman who has no power - is not going to have very good results.  On a personal level by honoring your power animal you let it know that its assistance is appreciated.  The spirit of the animal is giving up its mobility in order to spend its time with you and assist you with your life.  Also, by honoring the power animal we make a deeper connection with it.  Honoring it can be as simple a saying a thank you inside yourself, or getting an object which represents it and putting it where you can see it as you go about your day.
Shamanic practice honors and acknowledges the life and wisdom that exists in all things.  Everything is believed to have something to teach you and animals are thought to have a wealth of wisdom and protection to offer you.

Sunday, April 25, 2010



Reality is created by sound, tones, harmonics.
The spheres are the harmonics on the Tree of Life.
They are the wheels of synchronicity that create the illusion of linear time.



http://www.crystalinks.com/harmonyspheres.html

Musica Universalis or MUSIC of the SPHERES

http://en.wikipedia.org/wiki/Musica_universalis

Musica universalis (lit. universal music, or music of the spheres) is an ancient philosophical concept that regards proportions in the movements of celestial bodies—the SunMoon, and planets—as a form of musica (the Medieval Latin name for music). This 'music' is not literally audible, but a harmonic and/or mathematical  concept.


File:Astrologyproject.svg

Saturday, April 24, 2010

KUNG FU Guitar

http://www.squidoo.com/Kungfuguitar


Kung Fu Guitar



Kung Fu Guitar is a look into the different forms of kung fu and how it applies to guitar. If you have not already been to Black Belt Guitar go there to understand where I am coming from. ManyKung Fu styles were develeoped by studying the animals and applying it to a fightng form that imitates the animal they were studying. Kung Fu Guitar is the study of these forms and applying it to guitar. From the Animals, Nature, and Various Forms of Kung Fu we can learn different ways to practice guitar and eventually form our own practice techniques.

The Tiger 

The tiger is very aggressive it is where a lot of shredding and "hard" techniques, as opposed to "soft" techniques. Heavy alternate picking and concentrated downstrokes and upstrokes, to really build strength in the forearms. The tiger is at rest until ready to attack. From the Tiger we learn that when we start to shred you shred hard. Once started the tiger is relentless in it's shred attack.

When you think of the tigers legs as your right hand and the Tigers paws as your left hand you can see more similarities. The Tiger's power comes from the legs and shredders power comes from the right hand. The left hand must be fast and accurate. No matter how powerful ones right hand is, if there is no accuracy with the left hand then their will be a weak attack. The hands work together so be careful not to over train.

The Crane 

The Crane Martial Artist is akin to a dancer. It moves gracefully and is not aggressive like it's opposite The Tiger. From the crane we learn to focus on "soft" techniques that require less right hand work. The right hand being the lower half of the body must remain light on their feet. Sweeping and legato are examples of Crane techniques. Furthermore The CraneGuitarist uses any part as a weapon, meaning more exotic techniques can be used. Making use of all ten fingers Tapping can be used and overhand techniques.

The Snake 

The Snake Guitarist must be fluid and agile like both the animal and the martial artist. From the show Kung Fu we learn the snake uses "Rhythmic Endurance." From the Snake we learn to develop our rhythm's by changing them. 4/4, 3/4, 6/8, whatever timing you choose. Just like in a fight the timing will always be changing. We must be able to "endure" as well, meaning we need to be able to last over time as opposed to short bursts of power.

The Snake is known for targeting weak points like the groin or eyes. From the snake we learn to target are "weak" points in our playing. Thus the snake can be seen in other styles. One of your weak points maybe be alternate picking which is a "tiger" technique. From the snake we learn to strenghten our style. The snake is also where we get to practice our slides like the snake that slithers on the ground. We develop our vibratos like a snakes his or a snakes rattle. From the snake we further develop our shred like the way a snake slithers. Going from 2-6 string runs all over the fretboard.

The Leopard 

The Leopard is like the tiger but more accurate. It has strength and tenacity like the tiger, with precision and muscular endurance. The Leopard has less power but more agility. The Leopard sweeps but not usually six-string sweeps because it is not as big as the tiger.

The Leopard uses economy picking because it is more accurate then alternate picking. The Leopard also makes use of string skipping, and makes use of hammer-on and pull offs for it's speed. This not to be confused with legato which is crane technique of only picking once and using all hammer-on's and pulls-offs. The leopard still picks most of it's hammer-on's and pull offs.

The Leopard is all over the place seeing as how it captures speed and ferocity. The snake and crane are both fast but are more defensive. The Leopards footwork or picking hand is more likely to change as opposed to sticking to one technique. Using economy picking the leopard becomes faster than the tiger and much smoother but not as powerful sounding.

The Eagle 

From The Eagle we learn hard and soft techniques. "hard" and "soft" are often thought of as Passive and aggressive or Ying and Yang styles. The eagle uses both and some more exotic sounds just like it's fellow bird cousin the crane.

From The Eagle we get our whammy bar dives that are like the Eagles Voice or an eagle plummeting through the air seeking to capture it's prey. The Eagle teaches us to use volume swells which are like the eagles scream fading in and out. The Eagle also teaches us to make use of chicken picking and bends. The Eagle soars like a bend that rings out and makes use of it's talons like a weapon.

The Dragon 

The Dragon is like all animals in one. The Dragon is a mythical creature that is held in high regard in the east. Though the Dragon was the "King of the Sky" it was also known to sleep in the ocean. The dragon has great external power but also awesome internal power to balance it out. The Dragon could change size and form, in addition to having claws like a Tiger. It is the most spiritual of all Kung Fu Animal Forms.

The Dragon emphasizes on strategy, which means the Dragon Wins without another losing. This means improvisation, chords, and arpeggios. While the dragon encompasses techniques seen in other animals, it is not it's main focus. The Dragon will use a mistake in improvisation and use it to it's advantage. The dragon studies chords and arpeggios so that it may move freely in between heavy and light riffs, as well as rhythm and lead guitar. Many of the best players encompass the dragon.

Underwater Tiger - COOL PIC



Seven Liberal ARTS

http://cosmopolis.com/villa/liberal-arts.html


The Liberal Arts were divided into the Trivium ("the three roads") and the Quadrivium ("the four roads").
The Trivium consisted of:
  • Grammar
  • Rhetoric
  • Logic
The Quadrivium consisted of:
  • Arithmetic -- Number in itself
  • Geometry -- Number in space
  • Music, Harmonics, or Tuning Theory -- Number in time
  • Astronomy or Cosmology -- Number in space and time